If you ever dug Unclassics or the Italo DeRuggiero mixes, you will love the sound of this fantastic track by Peggy Gou. The synths have that same tone, and I don’t know what it is about that sound, what quality it possesses, that seems at once deeply uncool and supremely enjoyable. Gou raps in a matter-of-fact, casual way, as if she’s explaining stuff that should be totally obvious, and in the chorus, she gets right to the point: “You gotta do it right/enjoy your night/you gotta do it right.” Fun song on a great EP.
Oneida are always alluring; they go where they want to go. “Romance,” their new album, continues in a vibe that’s similar in some ways to the sound of the latter two albums of the “Thank Your Parents” trilogy (“The Story of O” and “Absolute II”), but with a slightly higher proportion of all-out jams. “Romance” comes close, in an Oneidan way, to being an actual rock album—some of the tracks, like “All in Due Time,” “Lay of the Land,” and “Reputation” revolve around tight grooves and rival songs like “Up with People” or “Story of O” for dynamism. And there’s “Cockfight,” towards the end of the album, a wild (tongue-in-cheek?), let-loose, super-entertaining, riff-heavy tune (that also ends with a beautiful, fluctuating coda). The other songs on the album are Oneida explorations, where they’re burrowing down in a certain trajectory, into sometimes gnarly territory (“Shepherd’s Axe,” the final track, is one of those–18 minutes of investigation, with maybe seven or eight distinct parts).
“Good Lie,” which comes in the middle of the album, is another sort of exploration, although this one feels more delicate than the others. It starts with a simple arrangement of elements, a pulse, some piano, some background synth and vocals, and then band lets it evolve over the course of seven minutes: the song picks up small variations and minor faults along the way, and those spread and become magnified until, by the last minute, it’s become something else entirely.
It is staggering, watching the time-lapse evolution of the planet. First: accretion. Then it was a ball of hot iron and nickel. Volcanism reigned. Lava was everywhere, moving, spurting, flying all over and inside. Meteors hit, brought water (maybe?), and the moon was ejected, too weird and wicked to be a part of the planet. Atmosphere began to pile up, slow and steady, from the volcanic exhalations. Oceans pooled. Then everything was on fire again for a while. Then the planet cooled again and everything started to get its act together. It was a great time. Some chemicals and proteins and acids mixed together and flowed towards and away other chemicals. Then everything was on fire again.
“Unfolding” is the first single from Rival Consoles’s forthcoming new album, “Persona.” The song builds and annihilates itself. It collapses and rises up again. Subduction, erosion, eruption. It is beautiful and massive, pulsing, vivid, wild.