Cola - Blank Curtain

Photo of Puget Sound water and islands, taken from Deception Pass State Park in Washington.

“Blank Curtain” might be the song I’ve listened to most this year, and it’s only been out for a month and a half. Cola is a new project from ex-Ought members Tim Darcy and Ben Stidworthy, who have teamed up with drummer Evan Cartwright from US Girls. I always enjoyed songs from Ought, though I can’t say I ever got wholly into their music—but this is another thing altogether. Some folks have compared “Blank Curtain” to Women’s music, and that’s definitely there: Darcy’s dead-eyed vocals especially bring to mind some of Pat Flegel’s more aloof performances on Women songs. But I think what I found most appealing right off the bat is something else, the post-punk sense of taking a handful of simple, utilitarian components and from them building a weird and striking song. Even after the first listen, I was entranced. Darcy’s guitar sets the trajectory for the song, a series of pulled-off, delayed notes, an odd machine whirring to life, augmented by Stidworthy’s driving bass and marching percussion from Cartwright. Darcy asks questions that bring to mind something like an object-focused version of existentialism: “Is there a notion to explain the mirror to the wall?” and “And the blank curtain/what’s on the other side/of the blinding solar/I’ll take it as it rides.” This song is addictive in a way that’s difficult to explain—the progress of it, the way it seems to expand through the bridge and contract again, it’s all mesmerizing.

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